智东西（公众号：zhidxcom）
作者｜王涵
编辑｜心缘
智东西10月24日报道，昨天，国内首部AI超写实电影《三星堆：未来往事》正式登陆院线。据猫眼专业版App数据，上映首日，该影片首日票房30.15万元，累计综合票房40.1万元。据灯塔专业版app数据，期预测总票房为207.8万元。
对比来看，2026年8月5日上映的纯手搓黑马动画电影《牛来》，其首日票房为3420万元，最终累计综合票房为6426.5万元，市场表现较为悬殊。不过二者上映环境不同，《牛来》在暑期档上映，大盘基础更强。
《三星堆：未来往事》是中国首部获得国家电影局公映许可证的AI超写实院线电影。整部影片时长100分钟，所有角色均为原创数字形象，不含真实演员的数字复制。
这部影片由生数科技Vidu提供首席技术支持，创意判断则由博纳影视集团AIGMS团队按电影工业流程完成。
该部影片的故事设定围绕三星堆青铜器刻符展开：超级AI席卷世界，引发了全球性的灾难。一位考古学家发现，三星堆青铜器上的纹饰其实是一段二进制密码，而这正是破解未来危机的“钥匙”。
其实，《三星堆：未来往事》并不是首部登上院线的AI电影。AIGC动画电影《团圆令》在2026年2月28日上映，该片以赠台大熊猫“团团”“圆圆”为主角，讲述了一段跨越海峡的亲情团聚故事。据猫眼专业版App数据，最终该片以首日票房6.2万，累计票房1500.6万收官。
一、画面细节清晰，角色台词仍有棒读感
由于电影的版权问题，目前网络上还没有影片原片段流出。从此前释出的两部预告片中，我们也可以看出这部电影的制作效果。
视觉层面，影片对青铜神树、青铜大立人、青铜纵目面具等三星堆标志性文物做到高度还原。同时依托考古研究资料，复原出青铜器原本的金属本色。
在大场景的细节处理上，古代场景背景中的军队、骆驼、旗杆个体鲜明，没有出现糊成一团的情况；现代场景则使用蓝色做主色调，体现出赛博朋克的科技感，背景中的廊桥、屏幕、人物细节清晰。
电影中的人物角色形象前后一致，声音和动作都较为自然。但角色说台词依旧有一些棒读感，感情不太充沛。
在猫眼App上，已经看过此片的观众基本都留下了好评。整体看来，观众认为影片超出预期，画质、叙事逻辑和真人感很强，就好像真人演员拍摄的，但是配音方面还是有AI感。
二、两年产出120余万张底图，成本降了九成
据生数科技介绍，该片依托博纳AIGMS自研的博卡电影云片场与Vidu视频模型协同制作，从分镜设计、画面渲染到视频生成全流程打通，搭建起电影AI工业化生产的底层架构。
这份工业化成果并非一蹴而就，团队历经两年技术探索，累计产出120余万张底图，全片完成上百次版本迭代。
制片人曲吉小江接受《天津日报》采访时称，由于电影制作完成后模型仍在升级，为避免画面显得“老旧”，团队不得不反复重做部分内容，拿到龙标后还借助新模型进一步提升画质。
不同于大众对AI创作“小作坊”的刻板印象，据环球时报报道，该片团队参照传统实拍剧组，设置了编剧、导演、美术、摄影、音效、剪辑等17个专业工种，在虚拟制作环境中持续审片、筛选、打磨画面。
项目核心团队近百人，背景跨度很大，成员来自游戏、电视台、工程技术等多个行业，不少人没有影视制作经验，需要接受培训适配电影工业规范。
据透露，《三星堆：未来往事》的制作成本为千万元级别。AI参与生产省去实景拍摄、服化道具、外景调度等大额支出，预算主要投向算力资源、版本迭代以及人工修图调优。
对比来看，同等体量的传统实拍科幻片，成本通常至少上亿元，意味着这部影片的制作成本降幅接近90%。
三、AI影视进入落地阶段，生产链路已全渗透
AI涉足影视制作，已经势不可挡。
2026年8月31日，国内首部上星AI长剧《后西游记》在芒果TV上线，并在湖南卫视晚间黄金档播出。刚上线不到1小时，在芒果TV上的播放量就冲上206.4万次。（刚刚，国内首部上星AI长剧开播！“猴来”引爆AI短剧概念股）
爱奇艺在2026年秋季悦享会上宣布“All in AI”赋能影视长片制作战略，推出“燎原计划”，2026年全年计划上线40余部AIGC电影，后续立项制作的项目中AIGC电影占比将达50%。
放眼海外，Netflix联席CEO泰德·萨兰多斯在今年7月的投资者沟通会上透露，目前其平台上已有近300部作品把生成式AI融入从创意策划到后期制作的整条生产链路。
结语：AI走进大荧幕，还需迈过付费门槛
《三星堆：未来往事》的票房实在算不上卖座，但这只是AI走进大荧幕的第一步。
过去一年，免费的AI短剧和短视频已经在观众的心里烙下了深深的印记，成本低廉也成了AI生成的一大标签。如今要让人掏钱走进影院，首先要跨过的是付费意愿这道心理门槛。
但第一个敢于吃螃蟹的人是值得称赞的，在它之后，“AI能不能拍院线长片”变成了一个被真实票房、真实口碑和真实制作流程检验过的问题。
随着底座视频模型技术的不断迭代，和AI在影视制作流程中的渗透，这部影片暴露出的问题，在未来或许都会被解决。
本文由 AI图鉴自动抓取并翻译，版权归原作者所有；如需查看原文请点下方链接。
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On October 24th, Jiji reported that yesterday, the country ' s first AI super-written film, The Three Stars: The Future, officially landed on the compound line. According to data from the Cateye Professional App, on the first day of the show, the first day of the film, the ticket room, was $3015,000, with a cumulative total of $401,000. According to the lighthouse professional app, the forecast totals 2.07 million yuan.
By contrast, the first day's ticket room, the pure black horse-smuggling movie " Cowes ", launched on 5 August 2026, was $34.2 million, resulting in a cumulative total of $642.65 million, with significant market disparities. But they're in a different environment, with the Cows coming out in the summer slot and a stronger base.
The Three Stars: The Future is China's first AVR film with a licence from the National Film Board. The whole film lasted 100 minutes, and all the characters were original digital images and did not include digital reproduction of real actors.
The film is technically supported by the leading biotech Vidu, and the creative judgement is done by the AIGMS team of the Bonner Film and Film Group in the film industry.
The story of the film was set around a three-star pile of brass: Super AI swept the world and triggered a global disaster. An archaeologist found that the tattoos on the tristar brass were actually a binary code, which was the “key” to solve future crises.
Actually, The Tristar: The Future is not the first one on the court line. Animated by AIGC, the " Round Order ", on 28 February 2026, the film, which featured a “round” of a large panda, tells a story of family reunion across the Strait. According to data from the professional Optimus App, the film ended with 62,000 first-day tickets and 156,000 cumulative receipts.
I. The picture is clear and the character dialogue line is still good. Sensor.
Because of copyright problems, no original footage is currently available online. We can also see the impact of this film from two previous trailers.
At the visual level, the film is highly reductive to the three star collections of iconic artifacts, such as the Bronze Tree, the Bronze Monument and the Bronze Mask. It also restores the original metallic colour of the copper.
In dealing with the details of the big scenes, the military, camels, flagpoles in the context of the ancient scenes were distinct and did not appear to be in the same group; the modern scenes used blue as the main tone, reflecting the scientific sense of Sabbunk, and the details of the bridges, screens, characters in the background.
The characters in the film are consistent in their image and their voices and movements are more natural. But the character says that dialogue line still has some good reading and that it's not feeling well.
On Cateye App, the viewers who have seen the film have largely left a good comment. On the whole, the viewers felt that the film was beyond expectations, that it was of a graphic nature, narrative logic and real sense, that it was taken by real actors, but that voiceover still had an A sense.
II. Over 1.2 million base maps of output in two years, with cost reductions of 90 per cent
According to the biotechnologies, the film, developed in collaboration with the Vidu video model, is based on the Tobona AIGMS self-study Boca film cloud set up as a bottom-up structure for the production of the film AIGMS industrialization, from the design of storyboard to the visualization of video generation.
The outcome of this industrialization was not a one-time event, and the team went through two years of technological exploration, with a cumulative output of more than 1.2 million background maps, with the entire film completed hundreds of times.
In an interview with the daily Tianjin newspaper, the producer Ziggy Xiaojiang stated that, in order to avoid the “old” image, the team had to redo some of its parts over time and use new models to further improve the painting.
Unlike popular stereotypes of AI's small studio, the Globe Times reports that the team has set up 17 professional works in the fields of scripts, directors, fine arts, photography, sound, editing, etc., based on traditional reality groups, and continues to review films, screen and grind images in virtual production environments.
The project ' s core team is nearly 100 people with a wide range of backgrounds, with members from a wide range of fields such as games, television, engineering, etc., many of whom have no experience in video production and need training to adapt to the industry.
It has been revealed that the production cost of the Tristar Stack: The Future is tens of millions of dollars. AI was involved in the production of large amounts of expenditure, such as scenery, channels, exterior movement, etc., and the budget was invested mainly in computing resources, version overformation and manual improvement.
By contrast, the cost of the same volume of traditional reality fiction films is usually at least hundreds of millions of yuan, meaning that the production cost of the film is reduced by almost 90 per cent.
iii. AI video is in the landing phase and production links are fully infiltrated
AI's involvement in video production is overwhelming.
On 31 August 2026, the country ' s first star Ai drama, Post-West Travel, was posted on the Mango TV line and aired in the Golden Plateau at Hunan Watch. Less than an hour on the line, 2,064,000 hits were made on Mango TV. # Just now, the first star in the country is on the air! #
In the fall of 2026, the Quest announced a strategy for the production of “All in AI”-enabled long-film films, launching the “Change Plan”, and in 2026 it was planned to go online in more than 40 AIGC films, which will account for 50 per cent of the projects that follow.
Looking overseas, Netflix’s joint CEO Ted Salandos revealed at an investor communication meeting in July this year that nearly 300 works are now on his platform to integrate generation AI into the entire production chain from creative design to post-production.
Conclusion: AI goes into the big screen and has to cross the paid threshold.
Three Stars: The Future is really not a selling house, but it's only the first step into the big screen.
In the past year, free AI shorts and short videos have placed a deep mark on the audience, and low cost has become a major label for AI generation. It is the psychological threshold of paid ' s will that must be crossed in order to get people into the theater.
But the first person who dared eat crabs was to be commended, and after it, the question of whether "AI can make a long picture of the yard" became a question that was tested by the real box office, the real accent and the real production process.
As bottom video modelling technologies continue to evolve, and AI infiltrates the video production process, the film exposes problems that may be solved in the future.
Auto-fetched and translated by AI Atlas. All rights belong to the original author.