在埃隆·穆斯克宣布Grok将发行全长的"历史准确"电影版"奥德赛"后三个月,Grok发布了整整7分钟——公司现在称之为"我们奥德赛系列的第1集".
Musk先前曾在克里斯托弗·诺兰的版本"The Odyssey"中大骂,而诺兰在很多方面都是穆斯克的完美失败 — — 而SpaceX和Tesla CEO则在空间中高呼数据中心并张贴AI生成内容的无尽流
虽然诺兰的“奥德赛人”的版本肯定使用了大量的视觉效果,但它主要是一部实用电影的壮举,拍摄范围遍及6个国家,有数千名演员和剧组人员。 影片在7月上映后,成为了出色的票房成功,销售了数月的Imax放映,并成为了下届"学院奖"的可能的前锋。
至于Grok版的"The Odyssey"(与Wonder Studios和导演Dev Walker合作创建),你可以自己观看。
更令人印象深刻。 我可能觉得这些演员是真正的演员,虽然我不能对Grok的历史准确性说话,但似乎所有的人物都以穆斯克认可的肤色出现,而旁白者则使用一种英国口音,这种口音听起来会让任何玩过幻想电子游戏或观看过去25年的好莱坞史诗的人熟悉。
这些镜头真正缺乏的是任何艺术家感,灵感感,或者人类的兴趣感。 背后的故事 — — 通过上述声音传递 — — 似乎会永远继续下去,最终让位给一个胡子的脸,每个脸都高喊线条,让诺兰的对话听起来像莎士比亚。
虽然一些个别镜头可能会提供一种合理的现实模拟,但整体感觉完全没有空气,给观众没有动力感,没有理由在屏幕上关心任何人或任何东西。 在诺兰的“奥德赛”将近三个小时的运行时间里,我毫无顾忌地检查了Grok版本甚至半途之前我还剩了多少时间。
更别提一部完整电影的价值。
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Three months after Elon Musk declared that Grok would release a full-length, “historically accurate” movie version of “The Odyssey,” Grok has published a whole seven minutes — what the company is now calling “Episode 1 of our Odyssey series.”
Musk had previously lashed out at Christopher Nolan’s version of “The Odyssey” because Nolan cast nonwhite and transgender actors. And Nolan is, in many ways, a perfect foil for Musk — while SpaceX and Tesla CEO hypes up data centers in space and posts an unending stream of AI-generated content, Nolan has described himself as “a techno-skeptic” and said that before AI, he’d never seen a technology “so completely rejected by the public.”
And while Nolan’s version of “The Odyssey” certainly used plenty of visual effects, it’s primarily a feat of practical filmmaking, with a shoot spanning six countries and a cast and crew of thousands. After its release in July, the film became an extraordinary box office success, selling out Imax screenings for months and becoming the likely front-runner at the next Academy Awards.
As for the Grok version of “The Odyssey” (created in collaboration with Wonder Studios and director Dev Walker), well, you can watch for yourself.
I’ll admit it’s not as spectacularly ugly as I’d expected, and certainly more impressive than other videos that Musk has posted recently. If I didn’t know better, there were moments when I might have thought these were real actors sailing across a real sea. And while I can’t speak to Grok’s historical accuracy, it does seem that all the characters come in a Musk-approved skin color, while the narrator uses a British accent that will sound familiar to anyone who’s played a fantasy video game or watched a generic Hollywood epic from the past 25 years.
What the footage really lacks is any sense of artistry, inspiration, or human interest. The backstory — delivered via the aforementioned voiceover — seems to go on forever, finally giving way to one bearded face after another, each shouting stilted lines that make Nolan’s dialogue sound like Shakespeare.
While a few individual shots might provide a reasonable simulacrum of reality, the whole thing feels completely airless, offering viewers no sense of momentum, no reason to care about anyone or anything on-screen. And where I had no trouble paying attention for the nearly three-hour runtime of Nolan’s “Odyssey,” I was listlessly checking how much I had left before the Grok version was even halfway through.
It’s hard to imagine being interested in another seven minutes of this, much less a full movie’s worth.
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