这部片子叫《三星堆：未来往事》，走的是科幻路线，把三千年前的古蜀文明和未来世界的 AI 危机串在了一起。
设定挺有意思，三星堆青铜器上的神秘刻符，其实藏着远古的二进制密码。
三千年后人类被超级 AI 反噬，一位考古学家意外发现，破解这场灾难的钥匙，就埋在那些青铜面具和神树里。
片子里青铜大立人、纵目面具、青铜神树这些文物，全都用超写实的方式还原了，古蜀王都和祭祀场面也是靠 AI 想象出来的。
说穿了就是拿三星堆这个自带神秘感的 IP，套了一层科幻外壳。
观众普遍吐槽人物表情僵硬、动作不自然，看多了有种说不出的违和感。
还有人吐槽：可能买票的都是影视区的博主吧。
所以，这票房嘛，自然不太理想，首日票房也就 30 万出头，灯塔预测总票房 216.9 万。
很多人以为是不是成本特别低，但可能比大家想象的要高，制片人说是千万元级别。
当然，跟同题材实拍相比还是很划算的，传统方式拍至少八个亿起步。这么一算，AI 确实把成本压到了原来的几十分之一。
千万级的制作成本，按正常票房分账算，回本线大概在 2500 万上下。
按现在的票房走势，赔钱基本是板上钉钉，毕竟不是谁都有《牛来》那么好的命。
片方也挺委屈，博纳行政总裁蒋德富出来喊冤。
说别信什么一键生成，团队近百号人，照着电影工业流程逐帧修，整了两年多，废掉 120 万张底图，全片推倒重来了上百遍。
为了讨好影院，发行价压到 20 块，分账比例都让到 40 比 60，正常国产片是 43 比 57，等于主动给影院多塞三个点。
虽然姿态摆得很低，但奈何票房还是不动。
其实，严格意义上说，这并不是第一部登陆院线的 AI 电影，应该是首部超写实数字人长片。
因为今年二月底就有一部《团圆令》上过，以大熊猫团团圆圆为原型的动画电影，号称国内首部全流程 AIGC 动画。
只是那部偏向低龄向，关注度没这么高，也没引发这么大的行业讨论。
虽然这部电影是赔钱的，但是 AI 影视已经是大势所趋。
博纳搞了 “博卡云片场”，三星堆只是第一个试水的，后面《计划外：广寒行动》《中华志怪之罗刹海市》都排上了。
在这方面芒果 TV 一直走在前面。今年 8 月底推出中国电视史上第一部上星的 AI 长剧《后西游记》。
首播收视率同时段省级卫视第一，全网传播快 30 亿次，芒果 TV 站内正片播了 1.5 亿，芒果超媒股价连续两天涨停。
要知道，这片子成本单集才 90 万，不到同档真人剧的十分之一。
尝到甜头之后，芒果直接官宣了一堆 AI 演员，角色资产、场景资产全都标准化沉淀，以后可以反复复用。
爱奇艺启动 “燎原计划”，今年要上四十多部 AI 电影，还专门搭了个叫纳逗 Pro 的制作平台，从编剧到剪辑全流程覆盖。
字节也在八月底推出 “即梦片场”，专门孵化九十分钟以上的 AI 长片，S 级项目全额包制作费，还对接发行和电影节资源，摆明了就是要砸钱把这条路跑通。
别以为只有国内在卷，国外也没闲着。
就在十月二十一号，韩国的 AI 科幻电影《Steelay》正式上映，九十分钟，全程 AI 生成。
还有一部叫《Raphael》的 AI 科幻大片，定在了十一月二十五号公映，主打未来战争世界观。
这部去年还在釜山 AI 电影节当过开幕片。
北美那边，《Gods Don't Give Gifts》定在 12 月 4 日上映，而且明说了要报名奥斯卡最佳动画长片。
说白了，这不是某一家公司的冒险，是全世界影视行业都摸着石头过河。
今年娱乐圈扎堆生孩子，反正也没戏拍，闲着也是闲着，网友纷纷调侃内娱进入“大怀孕时代”。
狐妹还记得，今天 3 月份的时候，“男二以下 AI 演员”上了热搜，当时骂声一片。
但仅仅过了几个月，AI 漫剧已经让全国人上头，就连歪果仁也逃不过，现在谁还在乎是不是真人演的？
甚至拍过亿级爆款的短剧女演员，都三个月接不到一部戏，有男演员直接开始摆摊了。
据行业人士预测，未来五到十年，影视行业至少三成到一半的专业岗位会消失。不是暂时没活，是结构性地没了。
其实，消失的不只是演员这一个岗位，还有支撑这些岗位的整个生态。
但历史的车轮滚滚向前，AI 影视时代确实已经开始了。
只不过，现在还处在非常早期的阶段，就像一百年前的默片刚出现那会儿，技术粗糙、叙事稚嫩、观众也还在适应。
相信以后 AI 电影会越来越多，越来越自然。但无论技术怎么迭代，能打动观众心的，永远是那些讲得好的故事。
这一点，过去一百年没变，再过一百年，大概率也不会变。
本文由 AI图鉴自动抓取并翻译，版权归原作者所有；如需查看原文请点下方链接。
It's called The Three Stars: The Past, and it's a science fiction route that links the ancient civilization of 3,000 years ago and the AI crisis of the future world.
It's interesting to set it up, the mysterious engraving on the tristar brass, which is actually an ancient binary code.
Three thousand years later, humans were turned back by super AI, and an archaeologist accidentally discovered that the key to breaking this disaster was buried in the brass masks and the trees.
It's all overwritten. The ancient kings and the altar scenes are imagined by AI.
It's a three-star pile of self-discovery IP with a sci-fi shell.
It is common for the audience to spit on the face of the person and to look at it as if it's too hard to say.
There's also a question: probably all the players in the video district.
So, naturally, it's less than ideal, and the first day's room starts with 300,000, and the lighthouse predicts a total of 2,169,000.
Many people think it's particularly low cost, but it's probably higher than you think, and the producers say it's a million dollar level.
Of course, it's a good thing to start with at least 800 million people in the same way. So, AI did put the cost at one-tenth.
Tens of a million-degree production costs, split into regular ticket rooms, and the return line is about 25 million.
As far as the ticket office is concerned, the loss is basically nailed, after all, not everyone has as good a life as Cowboy.
The party was also frustrated, and the CEO of Bonner, Jiang De Fu, came out to cry out.
Say not to believe what it's made, team of nearly 100, built the frame after the film industry process for more than two years, scrapped 1.2 million background maps, and pushed the whole film back hundreds of times.
In order to please the cinema, the sale price is set at $20, and the split is 40 to 60, and the normal national production is 43 to 57, which is equivalent to three points more to the cinema.
Despite the low-profile attitude, the Na Ho Hall residence remained intact.
Actually, it's not actually the first AI movie on the landing line, it's supposed to be the first overwritten digital human.
Because at the end of February this year, there was an animated film called the first full-process AIGC animation in the country, based on a Panda Round.
It's just that it's an underage, less focused one, and it's not causing so much industry discussion.
Although the film is a loss, the AI video is already on the rise.
Bona has the Boca Clouds, and the three stars are only the first to test the water, followed by Operation Unplanned: The Great Cold, the City of Rojas.
Mango TV has been in front of this. At the end of August this year, China's first star-on-the-star, AI, was launched in the history of Chinese television.
At the same time, the first-time viewer, the provincial guard, spread around the world 3 billion times, the Mango TV station broadcast 150 million live, and the Mango supermarket stock price went up and down for two days.
You know, it's only 900,000 apiece, less than one tenth of the same reality show.
After a taste of sweetness, Mango directly announced a number of AI actors, role assets, scene assets, all standardized depositions, which can be reused again and again.
Accelerator started the Project "Silent Plan" with more than 40 AI films this year and a production platform specifically called Nacchan Pro, covering the entire process from writing to editing.
At the end of August, byte also launched the “Jimeng Site” dedicated to incubating a long, 90-minute AI film, full production fee for the S-class project, and the distribution and film festival resources, which are explicitly designed to break through the road.
Don't think it's just domestic, and not foreign.
On October 21, Korea's AI science fiction film "Steelay" was officially released, 90 minutes before the full AI was created.
And there's an AI sci-fi film called Raphael, scheduled for the 25th of November, featuring the world view of future war.
This was an opening film last year at the Busan AI Film Festival.
North America, "Gods Don't Give Gifts" is scheduled to show on December 4th, and it's clear to sign up for Oscar's Best Animated Film.
To put it bluntly, this is not the risk of a company, but of the world's film industry touching rocks across the river.
This year, the entertainment industry was full of children, and there was no action, and there was no time for it, so that the Internet was entertaining itself into the age of pregnancy.
The foxes remember that today, in March, the "man under two" actor went on a hot search, with one cursing.
But only a few months later, AI, who cares if the comics have got the nation's head on, even the scabs.
Even short-time actresses, who had made a billion-year-old, would not be able to get to a play in three months, and a male actor would just start playing.
The industry predicts that at least 30 to 50 per cent of professional jobs in the film industry will disappear in the next five to ten years. Not temporarily, but structurally.
In fact, it's not just an actor who disappears, it's the whole ecology that supports them.
But the wheel of history rolls forward, and the age of AI video is really beginning.
It's just that it's still at a very early stage, as it was a hundred years ago when the silent film appeared, with crude technology, bland narratives, and the audience still adapting.
Believe that after the AI movie will be more and more natural. But whatever the technology, it's always the good stories that inspire the audience.
This has not changed in the last 100 years, and in another 100 years, the rate will probably not change.
Auto-fetched and translated by AI Atlas. All rights belong to the original author.